NEWS: 2012 Lee Bennett Hopkins Poetry Award announced

The winner of the 2012 LEE BENNETT HOPKINS/PENN STATE UNIVERSITY POETRY AWARD is WON TON: A CAT TALE TOLD IN HAIKU by Lee Wardlaw, illustrated by Eugene Yelchin (Henry Holt, 2011). One honor book was selected, HIDDEN by Helen Frost (Farrar, Straus & Giroux, 2011).

The winning title receives an honorarium of $1,000. A gold seal with art by Jessie Wilcox Smith is affixed to the book; a silver sticker for the honor book(s).

The award, established in 1993, is the first and only award of its type for poetry in the United States — given either for an original collection or anthology. A complete history of the award can be found at www.leebennetthopkins.com under PENN STATE.

NEWS: Claudia Lewis Poetry Award winners announced

Congratulations to the two Claudia Lewis Poetry Award winners: for younger readers, Kristine O’Connell George’s EMMA DILEMMA: Big Sister Poems (Clarion), illustrated by Nancy Carpenter; for older readers, Allan Wolf’s THE WATCH THAT ENDS THE NIGHT: Voices from the Titanic (Candlewick).

Bank Street College is presenting its awards on Thursday, February 23. If you are in the New York area, you are welcome to attend. Information can be found on their web site.

(Thanks to Marilyn Singer for the news.)

FEATURED POET: Mary Ann Hoberman

One of our goals is to introduce you to (or reacquaint you with) accomplished poets whose work is enjoyed by children or teens. We start with the NCTE Award for Excellence in Poetry for Children winners before moving on to other poets.

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MARY ANN HOBERMAN

(American, b. 1930)

Photo by Lois Dreyer

Mary Ann Hoberman was born on August 12, 1930, in Stamford, Connecticut, to Dorothy (Miller) and Milton Freedman. She attended the Stamford public schools, where she wrote for her school newspapers and edited her high school yearbook. In 1951 she received a B.A. in history from Smith College and, thirty-five years later, an M.A. in English Literature from Yale University. She married Norman Hoberman, an architect and artist, in 1951. They have four children, all in the arts — Diane, Perry, Chuck, and Meg — and five grandchildren. The Hobermans have lived in Greenwich, Connecticut, for almost fifty years in a house that Norman designed.

Mary Ann Hoberman has taught writing and literature from the elementary through the college level. She co-founded and performed with both “The Pocket People,” a children’s theatre group, and “Women’s Voices,” a group giving dramatized poetry readings. But ever since her first book was published in 1957, her primary occupation has been writing for children. She received a National Book Award in 1983 for A House is a House for Me and the 2003 NCTE Award for Excellence in Poetry for Children for her body of work. In 2008 the Poetry Foundation named her the second U.S. Children’s Poet Laureate, after Jack Prelutsky and before J. Patrick Lewis.

Mary Ann Hoberman recently published her first novel, Strawberry Hill. She is the critically acclaimed author of more than forty books for children. One hundred of her favorite poems are collected in The Llama Who Had No Pajama. Other popular titles include The Seven Silly Eaters and the You Read to Me, I’ll Read to You series.

In recollecting when she first decided to become a writer, she has said:

“I knew I was going to be a writer even before I knew how to write! I think I was about four years old when I first understood that many of the stories I loved so much had been made up by real people, with real names, rather than having always been here like the moon or the sky. I decided then that when I grew up I would write stories, too, that would be printed in books for other people to read. But meanwhile I didn’t wait to grow up or even to learn how to write. I started right away to make up stories and poems and songs in my head, which I told to myself or to my little brother…

“Many years later I did become a writer, just as I had decided back when I was four. I saw my stories and poems and songs printed in books just like the ones I loved so much when I was a little girl. But I still make things up in my head before I write them down. And most of my ideas have originated in memories of my own childhood and in my own early interests and pastimes. As a younger woman I had almost total recall of myself as a child; and even now, when I am a grandmother and the years on which I draw for my stories and poems are more than half a century behind me, I can still tell you the names of every one of my elementary school teachers, where I sat in each classroom, who my friends (and enemies) were, and how I felt about myself, my family, and my world. In many ways, despite the sorrows and pain of childhood, I loved being a child; and as a child I was somehow already aware that childhood was fleeting and that I must never forget what it felt like to be new in the world.”

(Adapted from: Sixth Book of Junior Authors and Illustrators)

For more information about Mary Ann Hoberman, please visit:

NEWS: Blackaby, Jackson, and Kennedy recognized by The Lion and the Unicorn children’s literature journal

Congratulations to Susan Blackaby, Rob Jackson, and X.J. Kennedy — and their illustrators and publishers — for being named winner (Nest, Nook & Cranny) and honor books (Weekend Mischief and City Kids: Street & Skyscraper Rhymes) of the 2011 Lion and the Unicorn Award for Excellence in North American Poetry.

Thanks also to the award judges — Michael Heyman, Michael Joseph, and Joseph Thomas — for sharing their intriguing essay with us.

Message from PACYA’s founder, Steven Withrow

Thank you all for taking part in Poetry Advocates for Children & Young Adults. Since September 2011, we have begun to build a base for a thriving children’s poetry community worldwide. I view PACYA as a long-term, multigenerational project, and I’m honored to be here at the very start.

The Poetry at Play blog and our Facebook page will continue to be outlets for news and features, including our popular “Featured Poet” series. We will soon announce a children’s poetry conference in Montreal, Canada, sponsored in part by PACYA. We are also exploring the creation of an advocacy award and the use of YouTube for kids and teens to see and hear poets read their works aloud.

What do I need from you?

  • Essays (critical, historical, or craft-oriented)
  • Reviews and interviews (text or audiovisual)
  • Lesson plans and activities
  • Event reports and calendar items

Please email me at stevenwithrow(at)gmail(dot)com if you’re interested in submitting materials. I can’t keep PACYA growing without your generous contributions. Thanks for your support and for spreading the word!